{"id":1960,"date":"2023-11-24T14:02:53","date_gmt":"2023-11-24T14:02:53","guid":{"rendered":"https:\/\/museummurals.nl\/?page_id=1960"},"modified":"2024-12-11T13:23:43","modified_gmt":"2024-12-11T12:23:43","slug":"museum-kaap-skil","status":"publish","type":"page","link":"https:\/\/museummurals.nl\/en\/musea\/museum-kaap-skil\/","title":{"rendered":"Museum Kaap Skil"},"content":{"rendered":"
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Sidney Waerts<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In his previous work, the Dutch self-taught artist Sidney Waerts concentrated on the negative impact of progress, technology and our ever-faster consumer society, which he tried to relate to. In his new series, he talks about another more optimistic approach. Instead of focusing on the outside world, the change process of his inner world is now central. This change has not only to do with the desire for inner peace but is also the only way to self-healing.<\/p>

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For years, the city of Sidney has provided enough inspiration and material. However, the ground under his feet changes and that is the result of this new series. Outside the city, the artist did not have to live at the same pace. Inspired by the Japanese technique of Zen painting (Sumi-e), in which simplicity and spontaneity are crucial, Sidney Waerts goes in search of tranquillity in nature in his recent series. The logic of the seasons, the rhythm of a day, the growth of plants and trees \u2013 there are no limits to the development of natural things. A tree that is cut down finds its way back no matter how. In the wild nature, a pure way of life can be experienced, where birth and death logically belong. This too is an essential part for Sidney to grow as an artist. Accepting impermanence in form.<\/p>

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In Sidney's work, these natural forms are expressed because the artist focuses less on photorealism, and more on abstraction and impulsivity. Acrylic paint and aerosols, which Sidney uses in his earlier work, are making way for Oriental ink here. This material offers new possibilities and gives the work a softer character, instead of the hard and contrasting black and white from his previous series. The result of the work process is also different, more unpredictable. Brush strokes and shapes will lead a life of their own and provide nice surprises along the way. Only in this way can authenticity grow in the work and that is the only way for Sidney now.<\/p>

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In recent years, Sidney has focused on murals; painting large walls in public spaces. \u201cMurals help increase solidarity in neighbourhoods,\u201d says Sidney. \u201cNeighbourhoods\u201d are put in a more positive light because an open-air gallery is being created in which entire communities are involved. Art represents the community and therefore creates a sense of security and connectedness.\" A great motivation in addition to his free work to keep his feet on the ground.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Museum Kaap Skil<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Once the Reede van Texel was the hub for international shipping. The ships sunk centuries ago form a treasure trove for wreck divers. The 17th-century Palmwood wreck, full of exclusive, personal items, is quite special indeed. The fantastically preserved silk Dress from the Palmwood Wreck is a globally unique masterpiece.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sidney Waerts Concentreerde de Nederlandse autodidacte kunstenaar Sidney Waerts zich in zijn vorige werk nog op de negatieve effecten van vooruitgang, technologie en onze steeds sneller wordende consumptiemaatschappij waar hij zich toe probeerde te verhouden, in zijn nieuwe series gooit hij het over een andere…<\/p>","protected":false},"author":2,"featured_media":0,"parent":1322,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-1960","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/pages\/1960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/comments?post=1960"}],"version-history":[{"count":75,"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/pages\/1960\/revisions"}],"predecessor-version":[{"id":4163,"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/pages\/1960\/revisions\/4163"}],"up":[{"embeddable":true,"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/pages\/1322"}],"wp:attachment":[{"href":"https:\/\/museummurals.nl\/en\/wp-json\/wp\/v2\/media?parent=1960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}